#might draw a background on this piece some day

[u3pxx]

i must say I'm used to being inspected by the ladies… but this is the first time i've felt this way with a man.

like this art? it's a print, here! | like what i do? support me on ko-fi!

happy klapollo day! you know.. besides the two other klapollo days i made up as an excuse to draw more klapollo pftt happy people park day! first time i've felt this way with a man day! first meetings day! (it has many names alright pftt)

but ig an explanation since i see some people are confused adfdgd ok so. think of 6/15 as kind of like whatever date unnecessary feelings day is for nrmt and 9/2 and 2/9 as the 7/3 + 3/7 days equivalent

like they're all klapollo days and i've no qualms about you if for you their first meeting is their day (ngl i did have like a sudden anxious thought like "oh god was i too annoying by imposing different klapollo days???" gfdg oops)

but yeahg! hope you have fun looking at whatever it is i put in the background boxes! and i know this is a klapollo piece but trucy might be my favorite part here pftt <33

[badgertracksart]

Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

[thewriteadviceforwriters]

The Telling Truth: When 'Show, Don't Tell' Doesn't Apply (You Don't Always Have To Show, Don't Tell.)

Hey there, fellow writers and beloved members of the writeblr community! 📝✨

Today, I want to talk about something that's been on my mind lately, and I have a feeling it might resonate with many of you too. It's about that age-old writing advice we've all heard a million times: "Show, don't tell." Now, don't get me wrong – it's great advice, and it has its place in our writing toolbox. But here's the thing: it's not the be-all and end-all of good writing. In fact, I'd argue that sometimes, it's perfectly okay – even necessary – to tell rather than show.

First things first, let's address the elephant in the room. The "show, don't tell" rule has been drilled into our heads since we first picked up a pen (or opened a Word document) with the intention of writing creatively. It's been repeated in writing workshops, creative writing classes, and countless craft books. And for good reason! Showing can create vivid, immersive experiences for readers, allowing them to feel like they're right there in the story.

But here's where things get a bit tricky: like any rule in writing (or in life, for that matter), it's not absolute. There are times when telling is not just acceptable, but actually preferable. And that's what you all will explore today in this hopefully understandable blog post.

Let's start by breaking down why "show, don't tell" is so popular. When we show instead of tell, we're engaging the reader's senses and emotions. We're painting a picture with words, allowing the reader to draw their own conclusions based on the details we provide. It's a powerful technique that can make our writing more engaging and memorable.

For example, instead of saying "Sarah was angry," we might write, "Sarah's fists clenched at her sides, her jaw tight as she glared at the broken vase." This gives the reader a clearer image and allows them to infer Sarah's emotional state.

But here's the thing: sometimes, we don't need or want that level of detail. Sometimes, efficiency in storytelling is more important than painting an elaborate picture. And that's where telling comes in handy.

Imagine if every single emotion, action, or piece of information in your story was shown rather than told. Your novel would probably be thousands of pages long, and your readers might get lost in the sea of details, losing sight of the main plot or character arcs.

So, when might telling be more appropriate? Let's explore some scenarios:

Summarizing less important events: If you're writing a story that spans a long period, you don't need to show every single day or event. Telling can help you summarize periods of time or less crucial events quickly, allowing you to focus on the more important parts of your story.

For instance: "The next few weeks passed in a blur of exams and late-night study sessions." This sentence tells us what happened without going into unnecessary detail about each day.

Providing necessary background information: Sometimes, you need to give your readers some context or backstory. While you can certainly weave this information into scenes, there are times when a straightforward telling of facts is more efficient.

Example: "The war had been raging for three years before Sarah's village was attacked." This quickly gives us important context without needing to show the entire history of the war.

Establishing pace and rhythm: Alternating between showing and telling can help you control the pace of your story. Showing tends to slow things down, allowing readers to immerse themselves in a moment. Telling can speed things up, moving the story along more quickly when needed.

Clarifying complex ideas or emotions: Some concepts or feelings are abstract or complex enough that showing alone might not suffice. In these cases, a bit of telling can help ensure your readers understand what's happening.

For example: "The quantum entanglement theory had always fascinated John, but explaining it to others often left him feeling frustrated and misunderstood." Here, we're telling the reader about John's relationship with this complex scientific concept, which might be difficult to show effectively.

Maintaining your narrative voice: Sometimes, telling is simply more in line with your narrative voice or the tone of your story. This is especially true if you're writing in a more direct or conversational style.

Now, I can almost hear some of you saying, "But wait! I've always been told that showing is always better!" And I completely get it. I'm a writer myself and prioritize "Show, Don't tell." in my writing all the time. We've been conditioned to believe that showing is superior in all cases. But we can take a moment to challenge that notion.

Think about some of your favorite books. Chances are, they use a mix of showing and telling. Even the most critically acclaimed authors don't adhere strictly to "show, don't tell" all the time. They understand that good writing is about balance and knowing when to use each technique effectively.

Take, for instance, the opening line of George Orwell's "1984": "It was a bright cold day in April, and the clocks were striking thirteen." This is a perfect blend of showing and telling. Orwell shows us it's a bright, cold day (we can imagine the crisp air and clear sky), but he tells us about the clocks striking thirteen. This immediate telling gives us crucial information about the world we're entering – it's not quite like our own.

Or consider this passage from Jane Austen's "Pride and Prejudice": "Mr. Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three-and-twenty years had been insufficient to make his wife understand his character." Here, Austen is clearly telling us about Mr. Bennet's character rather than showing it through his actions. And yet, it works beautifully, giving us a quick, clear insight into both Mr. Bennet and his wife.

The key is to use both techniques strategically. So, how can you decide when to show and when to tell? Here are some tips:

Consider the importance of the information: Is this a crucial moment in your story, a pivotal emotion, or a key piece of character development? If so, it might be worth showing. If it's more of a transitional moment or background information, telling might be more appropriate.

Think about pacing: If you want to slow down and really immerse your reader in a moment, show it. If you need to move things along more quickly, tell it.

Evaluate the complexity: If you're dealing with a complex emotion or concept, consider whether showing alone will be enough to convey it clearly. Sometimes, a combination of showing and telling works best for complex ideas.

Consider your word count: If you're working with strict word count limitations (like in short stories or flash fiction), telling can help you convey necessary information more concisely.

Trust your instincts (Important): As you write more, you'll develop a feel for when showing or telling works better. Trust your gut, and don't be afraid to experiment.

Now, let's talk about how to tell effectively when you do choose to use it. Because here's the thing: telling doesn't have to be boring or flat. It can be just as engaging and stylish as showing when done well. Here are some tips for effective telling:

Use strong, specific language: Instead of using vague or generic words, opt for more specific, evocative language. For example, instead of "She was sad," you might write, "A profound melancholy settled over her."

Incorporate sensory details: Even when telling, you can include sensory information to make it more vivid. "The room was cold" becomes more engaging as "A bone-chilling cold permeated the room."

Use metaphors and similes: These can help make your telling more colorful and memorable. "His anger was like a volcano ready to erupt" paints a vivid picture without showing the anger in action.

Keep it concise: One of the advantages of telling is its efficiency. Don't negate that by being overly wordy. Get to the point, but do it with style.

Vary your sentence structure: Mix short, punchy sentences with longer, more flowing ones to create rhythm and maintain interest.

Remember, the goal is to create a seamless narrative that engages your reader. Sometimes that means showing, sometimes it means telling, and often it means a artful blend of both.

It's also worth noting that different genres and styles of writing may lean more heavily on one technique or the other. Literary fiction often employs more showing, delving deep into characters' psyches and painting elaborate scenes. Genre fiction, on the other hand, might use more telling to keep the plot moving at a brisker pace. Neither approach is inherently better – it all depends on what works best for your story and your style.

Now, I want to address something that I think many of us struggle with: the guilt or anxiety we might feel when we catch ourselves telling instead of showing. It's easy to fall into the trap of second-guessing every sentence, wondering if we should be showing more. But here's the truth: that kind of constant self-doubt can be paralyzing and ultimately detrimental to your writing process.

So, I want you to understand and think: It's okay to tell sometimes. You're not a bad writer for using telling in your work. In fact, knowing when and how to use telling effectively is a sign of a skilled writer.

Here's some practical ways to incorporate this mindset into your writing process:

First Draft Freedom: When you're writing your first draft, give yourself permission to write however it comes out. If that means more telling than showing, that's absolutely fine. The important thing is to get the story down. You can always revise and add more "showing" elements later if needed.

Revision with Purpose: When you're revising, don't automatically change every instance of telling to showing. Instead, ask yourself: Does this serve the story better as telling or showing? Consider the pacing, the importance of the information, and how it fits into the overall narrative.

Beta Readers and Feedback: When you're getting feedback on your work, pay attention to how readers respond to different sections. If they're engaged and understanding the story, then your balance of showing and telling is probably working well, regardless of which technique you're using more.

Study Your Favorite Authors: Take some time to analyze how your favorite writers use showing and telling. You might be surprised to find more instances of effective telling than you expected.

Practice Both Techniques (Important): Set aside some time to practice both showing and telling. Write the same scene twice, once focusing on showing and once on telling. This can help you develop a feel for when each technique is most effective.

Now, let's address another important point: the evolution of writing styles and reader preferences. The "show, don't tell" rule gained popularity in the early 20th century with the rise of modernist literature. But writing styles and reader tastes have continued to evolve since then.

In our current fast-paced world, where people are often reading on devices and in shorter bursts, there's sometimes a preference for more direct, efficient storytelling. This doesn't mean that showing is out of style, but it does mean that there's often room for more telling than strict adherence to "show, don't tell" would allow.

Moreover, diverse voices in literature are challenging traditional Western writing norms, including the emphasis on showing over telling. Some cultures have strong storytelling traditions that lean more heavily on telling, and as the literary world becomes more inclusive, we're seeing a beautiful variety of styles that blend showing and telling in new and exciting ways.

This brings me to an important point: your voice matters. Your unique way of telling stories is valuable. Don't let rigid adherence to any writing rule, including "show, don't tell," stifle your natural voice or the story you want to tell.

Remember, rules in writing are more like guidelines. They're tools to help us improve our craft, not unbreakable laws. The most important rule is to engage your reader and tell your story effectively. If that means more telling than the conventional wisdom suggests, then so be it.

As I wrap up this discussion, I want to leave you with a challenge: In your next writing session, consciously use both showing and telling. Pay attention to how each technique feels, how it serves your story, and how it affects the rhythm of your writing. You might discover new ways to blend these techniques that work perfectly for your unique style.

Writing is an art, not a science. There's no perfect formula, no one-size-fits-all approach. It's about finding what works for you, your story, and your readers. So embrace both showing and telling. Use them as the powerful tools they are, and don't be afraid to break the "rules" when your instincts tell you to.

Remember, every great writer started where you are now, learning the rules and then figuring out when and how to break them effectively. You're part of a long, proud tradition of storytellers, each finding their own path through the winding forest of words.

Keep writing, keep growing, and keep believing in yourself. You've got this!

Happy writing! 💖✍️ - Rin T.

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors. 

[charliemwrites]

Mister(s) Steal Your Girl — part 3

(I seriously need to come up with an actual name for this series before it sets in)

Introducing his grand horniness- John “Soap” MacTavish

No Content Warnings

It’s been six, coming up on seven, dates with Kyle. A dwindling part of you feared that after the absolutely mind-blowing night you two shared, he’d ghost you or something.

But nope, the morning after was spent in one of his jumpers, receiving kisses and breakfast and tea. The two of you watched movies all day until he drove you home, kissing you at the door. He let you keep his jumper.

Not three days later, he invited you to a movie you’d both been excited to see, and giggled over the popcorn bowl like teenagers. He didn’t even mind that you leaned over to whisper during certain parts, or the ramble you went on afterwards. (When you apologized for overanalyzing and talking so much, he gave you a bizarre, almost offended look. “Don’t you dare stop,” he huffed, “you’re way better than radio. What did you think about that after credit scene?”)

A few days after that, he called with apologetic news.

“Being shipped out for a couple weeks. Shouldn’t be anything too dangerous, and I’ll call when I can,” he explained.

You told the nervous little twist in your gut that you knew this about him. That this is Kyle’s job, not a convenient excuse to ignore you.

“Stay safe regardless,” you murmured earnestly into the phone. “I‘ll… I’ll miss you, Kyle.”

“You’re getting the biggest hug when I get back, darlin’,” he promised.

He kept to it too. Called at odd hours sometimes - once during dinner with your fiance even. But Brandon is always taking random calls nowadays, so you figured, given the circumstances, it’s not such a big deal to excuse yourself either.

On the other end of the call, Kyle sounded a bit tired, but happy to talk to you. He couldn’t tell you anything about what he was doing, but shared some smaller, safer details. That the tea was shite because Soap kept over-steeping it. That his lieutenant was big enough to body slam him during sparring practice. That Captain Price wishes you well and promises to bring Kyle back in one piece.

You even heard one of his teammates in the background, asking Kyle if he was “chirping at his new bird.” Soap, as you found out. They sound like a good bunch.

When Kyle comes back, you offer to welcome him at his apartment. You bring a little plate of cookies and a pack of his favorite beer, hoping it’s not too much. But when he opens the door, his expression melts before he scoops you up in the big hug he promised.

“You’re a fuckin’ dream, ya know that?” he murmurs, tucking his face against your neck.

You spend the whole weekend with him, kissing at the stitched-up knife wound on his muscled arm. Otherwise, all in one piece.

“Would you… want to meet my mates sometime?” he asks as you’re getting dressed for work Monday morning.

“Of course,” you reply instantly. Realize that might be too eager. “If you want to introduce me, that is.”

“I want to show you off to the bloody Queen, babes.”

You giggle, crossing the room to drop a quick kiss on his lips. He tries to draw you in for something deeper, but you wiggle and swat at him, complaining that he’ll make you late.

It’s good, you think. Blissfully good. Honeymoon phase, maybe, but considering how far off your actual honeymoon is, you feel like you deserve this. Kyle is a wonderful partner - kind, attentive, respectful. He listens, he cares, he’s independent of you and respects your boundaries. Sometimes you can’t believe you were ever nervous about this open relationship thing in the first place.

On Wednesday of that same week, Kyle tells you that Soap is going to visit and is eager to meet you. He was thinking dinner and drinks, come back to Kyle’s apartment afterwards. You readily agree.

The next day, a bouquet comes in. It’s a beautiful, though not extravagant, arrangement. Calla lilies, roses, and hydrangeas. The note that comes with it says, “Wanted to make a good first impression in case Kyle told you lies.” It’s signed “Johnny.”

You send a picture to Kyle, amused and a bit endeared. It brightens the rest of your day so much that you barely notice Lucy’s usual snide comments.

On Friday night, Brandon is unexpectedly home. Usually he doesn’t even come home from work on Fridays anymore - or at least he didn’t before you met Kyle. Lately, you only pop in if you’ve forgotten something for your overnight bag. You had to stay late at the office today, though, and your apartment is closer than Kyle’s.

“Was thinking we could go out tonight,” he tells you.

“Oh,” you say, taken aback. Not just by the invitation, but by the mix of emotion in your gut. Some of it is excitement and relief, but not as much as you’d expect. It’s warring with unease and reluctance, a bit of frustration that now of all times he wants to reconnect.

“Um, raincheck?” you offer, smoothing down your dress. It’s a new one you picked out with Kyle; you’re hoping he (Kyle) will notice. “I have plans.”

Brandon’s brow furrows, smile going tight. “You can’t reschedule?”

God you hate confrontation and he knows that, doesn’t he? Why is he pushing?

“Well I don’t know when I’ll get to see them again,” you explain.

Suddenly the tension in his shoulders eases. “Oh, is it a few people then?”

“Just a couple. I’m meeting one of them for the first time.”

“Have fun then,” he says, fishing his phone from his pocket. Like you’re not even there anymore.

You blink, then your phone buzzes with a message from Kyle and you hurry out the door.

“I knew you’d look terrific in that dress,” he says as soon as he sees you.

Thoughts of Brandon, that strange interaction, and those churning feelings all disappear in an instant. Kyle just has a way of soothing you.

The restaurant is one that has quickly become one of your favorites with Kyle. Good food, good drinks, quiet and relaxed atmosphere. You like the funky artwork and squishy booths.

Soap (Johnny?) has already gotten your party a table, and stands as the two of you approach. You nearly stop right there, and then almost trip a bit as momentum urges you onwards. Manage not to make a fool of yourself, but you still boggle at him.

Because Kyle? You thought he was a fluke. Just too handsome to be real, never mind tall and fit and friendly and— well, anyway.

You thought he was a fluke.

But Soap/Johnny is goddamn handsome too! Trim stubble, pretty eyes behind thick lashes, a soft-looking Mohawk that gives him a boyish charm without seeming immature.

“There you two are, thought ye stood me up!” he greets, drawing Kyle into one of those friendly man-hugs with the shoulder pats that look like they hurt.

“Youre a cheap date anyway, MacTavish,” Kyle replies, gently easing you forward with a hand on the small of your back.

“Och, don’t bad mouth me in front of a lady,” Johnny/Soap complains, then turns his twinkling gaze to you and offers a hand. “John MacTavish, but this bampot calls me Soap.”

“Not Johnny?” you ask curiously.

You take his hand, find callouses similar to Kyle’s. But his palm is a bit broader, a scar along his thumb - from a burn it looks like. Just as warm, just as careful. A firm, but not tight shake.

“You can call me anything you like, lass,” he says. From the corner of your eye, you see Kyle choking back a laugh. Johnny it is, you figure.

“Wait ‘Soap’ is a callsign right?” you ask as Kyle herds you into the booth.

“Right-o,” Johnny replies, smiling.

“Does Kyle have one?”

The grin that he gives you would make the devil sweat. As it is, Kyle groans and shoots you a betrayed look.

“Oh does he, lass.”

You light up, grin right back. “Tell me?”

“As if I could say no to a pretty face like that!”

And so begins a long, warm, perfect night. Johnny is great company. Welcoming and friendly, quick to smile, sharp witted. You could sit all night listening to him and Kyle quip at each other, but they’re so careful to keep you included and engaged.

Johnny even offers you some of his chips when his order comes, and you’re too delighted to say no. Not that Kyle seems to mind, encouraging you to steal a couple for him since Johnny keeps whacking his hand away.

The night ends back at Kyle’s. You whip up another batch of cookies with some suspiciously new-looking baking ingredients. The boys keep you company while you work — Kyle mixes the batter when your arm gets tired and Johnny keeps your wine glass full. In the end, you let them each get a lick of the dough spoon.

Eventually, you move to the couch, climb on together. Kyle, for some reason, scooches you into the middle instead of one of the ends, but you don’t mind and neither does Johnny, it seems. They argue over a movie to put on, but it doesn’t matter because the three of you talk through most of it anyway.

The second movie is your pick, which is your downfall. You barely get halfway through before dozing off. End up stirring to muffled laughter and harsh whispering. You’ve slumped into Johnny, you realize, seeing Kyle’s broad smile.

“Oh,” you hum, trying to sit up. “‘M sorry…”

“You’re alright, lass,” Johnny murmurs, gently nudging you back down.

“Kyle?” you ask, yawning.

“Still watching the movie, sweetheart. You can go back to your nap. Soap’s nice and warm, yeah?”

You hum, snuggle in again. He is comfy. “So are you.”

Another quiet chuckle. “I know, love.”

He rouses you later — the movie must be over, you think blearily. Kyle scoops you up, plants a kiss on your cheek as you tuck in.

“Say good night to your teddy bear, baby.”

“‘Night, Johnny,” you mumble, nuzzling your face into Kyle’s neck.

“‘Night, bonnie.”

You wake first the next morning — rare and precious. Kyle is lying behind you snoring softly, arm around your waist. You wiggle around to watch his sleeping face for a minute, appreciating the peace in his features. Drop a whisper-soft kiss on his cheek and then slip out of bed.

He grumbles a bit, but you coo at him to go back to sleep and he subsides quickly. Once you’ve freshened up in the bathroom, you pad out to the living room. Johnny is up as well, watching tv on low volume with a coffee on his knee.

“Mornin’,” he says.

“Good morning,” you chirp back, continuing for the kitchen.

“You’re up early,” he observes, following.

“Slept well,” you reply, grinning. “Thanks in part to you. I hope that wasn’t uncomfortable.”

He ducks his head a bit, a light flush blooming across his ears and cheeks. “Nah, can’t complain about a pretty girl fallin’ asleep on me. Means I must have made a good impression, eh?”

“Oh! That reminds me - those flowers were gorgeous. Did you know calla lilies are my favorite?”

“Aye, Kyle’s been talkin’ about ya nonstop since ye met.”

It’s your turn to flush, and much brighter. You hurriedly turn to the cabinets.

“Well, thank you. I loved them.”

“Yeah? I’ll send you more then.”

Startled, you whip around on him, mouth stupidly open as you try to find a response. “You really don’t have to do that!”

“But what if I want to?”

And if you were struggling for words before, you’re hopeless now. So you just throw your hands up with a little “gah” sound and turn back to gathering ingredients.

“What are we making?” Johnny asks, taking mercy on you. Not that using that sly “we” isn’t devastating to your composure.

“My super special flapjack recipe,” you answer. “Could you get that big bowl down for me?”

He steps past you to do so while you dig out the measuring spoons from the dishwasher.

“If they’re as good as your cookies, then I’m gonna need extra PT after this weekend.”

“Good,” you reply, smug, “that’s my goal.”

“Dangerous woman.”

You snort, holding up a wooden spoon. “Oh yeah, I’m a real threat brandishing cooking utensils at a special ops guy.”

“Och, don’ sell yourself short - my nan used to be a menace with those things!”

Kyle exits the bedroom fifteen minutes later to the smell of cinnamon and his best friend with a face full of flour.

“…Do I even want to know?”

“Just be glad she’s on our side, Garrick.”

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[hiitsm]

Beneath the Spotlight

You try to navigate the challenges of being in a private relationship with Alexia Putellas while facing invasive scrutiny from fans.

Angst, Hurt, Comfort

-

Dating Alexia Putellas was never going to be easy, but you didn’t expect it to feel like this.

In the beginning, it was a quiet, private love. Something just between the two of you, away from the public eye. Alexia’s world was already so exposed, every move she made scrutinized by millions of fans and the media. You were determined to keep what you had safe, to protect the fragile, beautiful thing you had built together from the harshness of the outside world.

At first, it worked. You kept a low profile, attending her matches when you could, but always blending into the background, just another face in the crowd. No public displays, no social media posts. It was just you and Alexia, sharing stolen moments of peace in a life otherwise defined by chaos and noise.

You vividly remember those stolen moments. The nights you spent celebrating her victories in the quiet of your shared space, away from the buzz of the stadium. You’d sit together with her family, sharing laughter and stories over home-cooked meals. The pride in her eyes when you’d cheer her on, the way she would snuggle into you after a game, savoring the simple comfort of being with you, were all part of the intimate support you offered.

But the more you fell for her, the harder it became to stay hidden. You wanted to be there for her, to support her at her games, to celebrate her victories and console her after defeats. And it wasn’t just about her. Your relationship was something you were proud of, something you wanted to share with the world. But every time you thought about making it public, you were reminded of what that would mean. The scrutiny, the opinions of strangers, the pressure to be perfect in a way that no one ever truly could be.

You were there with her family for some of her biggest matches, your heart swelling with pride every time she took to the pitch. You watched her in awe, this incredible woman who had captured your heart, as she led her team with the same determination and passion that she put into everything. But you were careful, always careful. You sat in the stands, far enough away from the other WAGs to avoid drawing attention, never lingering after games, slipping out before the crowd could catch sight of you.

But despite your best efforts, people began to notice. You were spotted at too many games, your face caught in the background of too many photos. The rumors started slowly, with fans speculating about who you might be, trying to piece together the puzzle that was your relationship with Alexia.

It started as innocent curiosity, but soon it turned into something more intense, more invasive. Fans began scouring social media, looking for any clues about your identity. They examined every photo, every post, trying to figure out who you were. You had always been careful with your online presence, but it wasn’t enough. They found you.

One day, you logged into your social media accounts to find hundreds of new notifications. Your private world had been cracked open, your name and face plastered across fan pages and discussion forums. They had pieced it all together. Your appearances at matches, your connection to Alexia. They knew who you were now, and they weren’t shy about sharing their opinions.

At first, the comments were mostly harmless. Fans gushing over how lucky Alexia was, how happy they were that she had found someone. But as more people became aware of you, the tone shifted. They started asking why you weren’t at every match, why you weren’t more visible on Alexia’s social media. Why weren’t you as dedicated as the other WAGs? Why didn’t you post about her victories, her achievements? Why weren’t you supporting her the way they thought you should?

You tried to ignore it. After all, what did these people know about your life, your relationship? But the comments kept coming, growing more pointed, more accusatory. "She’s not a real fan." "She doesn’t care about Alexia." "Why isn’t she at the games? Does she even love her?"

You had your own life, your own career, something you were deeply passionate about. It was one of the things that had drawn Alexia to you in the first place. Your independence, your ambition. She loved that you had your own goals, your own dreams, that you weren’t just riding on her coattails. You remembered the intimate moments you shared, like the time Alexia had whispered to you how amazing she found you, both in your quiet support and in the more passionate moments you shared behind closed doors.

Your independence, once a source of pride, was now being used against you. Each time you missed a match due to work commitments, the voices in your head grew louder, accusing you of failing Alexia. You remembered the quiet night at home when Alexia had pulled you close, her appreciation for your dedication and support evident in her every touch and word.

The harassment became relentless. Strangers flooded your social media accounts with messages questioning your dedication to Alexia, your love for her. They dissected your life, your every move, making you feel like you were under a microscope. You found yourself dreading the notifications on your phone, each one a reminder that you were failing in the eyes of people who didn’t even know you.

You began to pull back, retreating into yourself. The joy you once felt in your work started to dim, overshadowed by the guilt that you weren’t doing enough, that you weren’t enough. Every time you missed a match because of a work commitment, the knot in your stomach tightened, the voices in your head growing louder, telling you that you were letting Alexia down.

But you didn’t tell her. You couldn’t. Alexia had her own pressures to deal with, the weight of her team’s expectations, the demands of her career. The last thing you wanted was to burden her with your insecurities, to add to her stress. So you kept it to yourself, putting on a brave face whenever she was around, pretending that everything was fine.

The distance between you grew, not physically but emotionally. Alexia noticed, of course. She noticed how you hesitated before answering her questions, how your smiles didn’t quite reach your eyes anymore. She saw the way you seemed to shrink into yourself, how you avoided talking about your day, how you seemed to flinch whenever her phone buzzed with notifications.

Alexia turned to you, her expression soft with concern. "Is everything okay, mi amor?" she asked gently, her voice laced with worry. Her hand reached out to touch yours, her fingers brushing against yours in a reassuring gesture. You felt the weight of her concern, but your mind was miles away, overwhelmed by the pressure and negativity that had been festering online.

“Yeah, just tired,” you replied, forcing a smile that felt more like a mask than a true reflection of how you felt. Alexia's eyes searched yours, her concern deepening. She had always been able to read you like an open book, and the worry in her gaze spoke volumes.

“You’ve been saying that a lot lately,” she said softly, her thumb gently caressing your knuckles. “Are you sure there’s nothing else going on? It’s not just work, is it?”

The memory of holding Alexia’s hand during a media scrum, offering her quiet strength, flashed through your mind. You wanted to share your pain, to let her in, but fear of adding to her burdens kept you silent. Her touch was a comfort, but the weight of your own struggles felt heavy.

You wanted to tell her, to let it all out and let her comfort you, but the fear of being a burden kept your mouth shut. "I’m fine, Ale," you insisted, leaning into her touch. "Just a lot on my mind with work."

She didn’t push you, but you could tell she wasn’t convinced. And that only made you feel worse because you hated keeping things from her. You hated the way this was affecting your relationship, the way it was making you pull away from the person you loved most in the world.

You started coming home later and later, using work as an excuse to avoid confronting the growing chasm between you and Alexia. She would be waiting for you, her eyes searching yours for the connection that was slipping away. But no matter how much you wanted to reach out, to bridge that gap, you couldn’t find the words. The guilt was too overwhelming, the fear of disappointing her too paralyzing.

The final straw came one afternoon after a particularly grueling day at work. You had just finished a major project, one that had taken weeks of late nights and early mornings to complete. You should have felt proud, but all you felt was emptiness. The satisfaction that usually came with accomplishing something big was nowhere to be found, replaced by a gnawing sense of inadequacy.

On the way home, you stopped by a coffee shop for a quick pick-me-up. You were waiting in line when you overheard a group of people at a nearby table, talking about the latest football match. At first, you didn’t pay much attention, but then you heard Alexia’s name.

"I don’t know how she does it," one of them was saying. "She’s got so much going on, and her girlfriend’s hardly ever around."

"Yeah, I saw on Instagram that she wasn’t even at the last match," another person chimed in. "I don’t get it. If I were dating someone like Alexia, I’d be at every single game, no matter what."

"Maybe she’s just not that into her," someone else suggested, and that was the final straw.

The words felt like a knife twisting in your chest. You could hardly breathe as you heard the cruel speculation. Without even grabbing your coffee, you stumbled out of the shop, your hands trembling uncontrollably. The hurt and frustration you’d been trying so hard to contain broke free, leaving you feeling as if the ground had been pulled from beneath you.

The tears started to fall as you made your way home, each step feeling heavier than the last. The weight of the online harassment, the accusations, and the misunderstandings crashed over you like a relentless tide. By the time you reached your apartment, you were a raw, shaking mess. The sobs that escaped you were more than just tears, they were a release of all the pain and guilt that had been building up inside.

You didn’t even make it to the bedroom. You collapsed onto the living room floor, your body heaving with the force of your sobs. Every ounce of your despair, every fragment of fear and guilt, poured out in a cascade of emotion. The room felt small and oppressive, the silence only magnifying the depth of your anguish.

Alexia came home to find you there, and her heart shattered at the sight. She had been looking forward to a quiet evening with you, but now, seeing you so broken, all her worries crystallized into an urgent need to comfort you. Without a moment’s hesitation, she dropped to her knees beside you, her face etched with concern and heartache.

"Mi amor, what happened?" Her voice was a trembling whisper, her hands reaching out to cradle your face gently. “Tell me what’s wrong. I’m here, and I want to help.”

You tried to speak, but all that came out were choked sobs. Alexia’s arms wrapped around you, pulling you close, her warmth a balm against the cold, overwhelming grief. She rocked you softly, her breath hitching as she held you, her love and sorrow palpable in every touch.

“Please,” she murmured, her voice breaking, “I need to know what’s hurting you. I can’t stand seeing you like this. Let me in, mi vida.”

In the cocoon of her embrace, you felt the walls you had built around your pain start to crumble. The comfort of her presence, the sincerity in her voice, made the flood of tears even harder to contain. You clung to her, the rawness of your feelings spilling out uncontrollably. Through your sobs, you managed to whisper, “They think I don’t care. They think I’m not supportive... and I don’t know how to make it stop.”

Alexia’s eyes filled with tears of her own, her love and empathy evident as she held you tighter. “You’re more than enough, mi amor,” she said softly, her voice filled with fierce tenderness. “What they say doesn’t matter. What matters is us. I see all that you do for me, all the love and support you give. Don’t let them make you doubt yourself. I’m here with you, always.”

Her words, so full of love and reassurance, began to heal the wounds that had felt so deep. Alexia stayed with you, her embrace a constant reminder that you weren’t alone. In that moment, surrounded by her unconditional support, the pain began to ease, replaced by a fragile but hopeful sense of connection.

As the tears subsided, Alexia gently stroked your hair, whispering comforting words and holding you close. You knew that together, despite the outside noise and pressure, you could face anything. Her presence was a testament to the strength of your bond, a reminder that no matter how harsh the world could be, your love for each other was a sanctuary from the storm.

-

Note: I wrote this piece as a reminder that we often don't see the full picture of someone’s life. It's important to remember that kindness and understanding can make a world of difference. Let’s strive to support and uplift one another, rather than judging from the outside.

-

[23victoria]

six thrity

pairings: carlos sainz x fem!reader

word count: 3.3k

warnings: cussing, rude reporter, sexual innuendos, lil angsty, fluff, semi-complicated relationship

authors note: i’m so sorry if this is bad, i’m trying to finish up this 1k celebration cause i def made it too long but that’s my fault lol, also i’m almost at 2k…you guys are insane wtf, thank you, bedsides that ignore any typos, any feedback, comments, reblogs, are appreciated and i hope you enjoy!!

wanna be apart of my taglist?! CLICK HERE!

f1 masterlist 1k celebration

The sun was high in the sky, casting a warm, golden glow over the bustling paddock at Circuit de Barcelona-Catalunya. It was Carlos Sainz's home race, and the atmosphere was electric. Fans waved flags adorned with his number, and the air buzzed with excitement and anticipation. You watched from a distance as Carlos navigated his way through the media zone, his expression a mix of focus and polite detachment.

It was media day, and Carlos was in his element, handling the questions with the ease of a seasoned driver. You stood near the paddock's edge, trying to blend in with the sea of team members, engineers, and journalists, not wanting to draw any attention to yourself. Despite the numerous interviews he had done over the past few days, Carlos never failed to flash that charming smile that had you falling for him in the first place. Today, however, there was an edge to his demeanor, something just beneath the surface that only you, someone who knew him so intimately, could detect.

From your spot, you could hear bits and pieces of the questions being thrown at him. They started as the usual race-related queries about tire strategies, car performance, and his thoughts on the competition. Carlos answered them with the poise of a driver who had been through this routine countless times.

But then, the questions shifted. The reporter in front of him, a man you recognized from a particularly notorious tabloid, changed his tone, his voice taking on an almost casual disregard that immediately put you on edge.

"Carlos, you've had an impressive season so far," the reporter began, and you could see Carlos nodding along, a polite smile on his face. "But let's talk about something a bit more personal, shall we? There have been some rumors floating around about your relationship with Y/N. Everyone knows you come from a well-off family and have a successful career ahead of you. But don’t you think Y/N, with her background, might not really fit into this world? Some people are saying she's with you for the status, that she might be out of her depth here. How do you respond to that?"

Your heart sank, the words hitting you like a punch to the gut. The reporter’s tone was dripping with condescension as if he were speaking about something trivial, not your life, your relationship. You felt your cheeks burn with a mix of humiliation and anger, every fiber of your being wanting to rush over there and demand he take it back. But before you could even move, you saw Carlos’s posture stiffen, the polite smile on his face faltering as the question fully registered.

For a moment, the paddock seemed to fall silent, the world narrowing down to just the two of you and that reporter. Carlos’s eyes darkened, his jaw clenching in a way that sent a shiver down your spine. His smile faltered, confusion clouding his expression. His brows furrowed as the full weight of the question settled on him. It wasn’t about racing anymore; it was an attack on the woman he loved.

"Perdón, ¿qué dijiste?" Carlos's voice was low, measured, but there was a dangerous edge to it that you had never heard before. It was the kind of tone that warned of a storm brewing beneath the surface.

The reporter, clearly not expecting the reaction, stammered, "I-I was just asking if—"

Carlos didn’t let him finish. "No, no. Who do you think you are to disrespect my girlfriend like that? Do you think you can speak about her like she’s some kind of accessory or fling?" 

Carlos straightened in his posture, his gaze turning steely as he locked eyes with the reporter. "Are you serious right now?" he began, his voice calm but carrying an undercurrent of anger. "I think you’re gravely mistaken if you believe Y/N is with me for any reason other than love."

The journalist opened his mouth to interject, but Carlos held up a hand, cutting him off. The room was utterly silent now, every eye fixed on Carlos as he continued.

"Let me tell you something about Y/N," he said, his voice firm. "She is one of the most intelligent, driven, and compassionate people I’ve ever met. She doesn’t need me or anyone else to define her worth. In fact, I’m the lucky one in this relationship, not her. I wake up every day grateful that she chose to let me be a part of her life."

Carlos’s eyes blazed with intensity as he spoke, his words carrying the weight of his conviction. "Y/N isn’t just some accessory to me or anyone else in this world. She’s built her life on her own terms, with her own strength and brilliance. She’s accomplished so much without the privileges that others might take for granted, and she’s done it all with integrity and grace."

The reporter shifted uncomfortably in his seat, but Carlos wasn’t done. His voice grew more impassioned as he continued, "Y/N doesn’t need me to validate her existence. She’s fiercely independent, and she’s made it clear that she stands on her own two feet. But she chose to be with me, and that’s something I never take for granted. Every day I am humbled by her presence in my life. She inspires me to be a better man, and I strive to be worthy of her love."

Carlos leaned forward slightly, his gaze never wavering from the reporter’s. "So, to suggest that she’s with me for status or that she doesn’t belong in this world is not only disrespectful to her but also profoundly ignorant. Y/N belongs wherever she chooses to be, and if you can’t see that, then that’s your problem, not hers."

The silence that followed was deafening. Carlos’s words hung in the air, heavy with meaning and emotion. The journalist who had asked the question looked visibly shaken, clearly taken aback by the intensity of Carlos’s response.

But Carlos wasn’t finished. Switching to Spanish, his tone softened slightly, but the edge of protectiveness remained. "No tienes ni idea de quién es ella," he said, his voice low but firm. "Ella es la mujer más increíble que he conocido. Mi madre siempre me enseñó a valorar a las personas por quienes son, no por lo que tienen, y Y/N es el mejor ejemplo de eso. Ella es amable, fuerte, y mucho más inteligente de lo que puedes imaginar. No necesitas mi vida para brillar, ya lo hace por su cuenta. Yo soy el afortunado aquí, no ella."

Carlos’s gaze swept across the room, making sure his words were fully absorbed by everyone present. He then fixed his eyes on the reporter once more. "And as for your question about her ‘fitting in,’" he added, now back in English, "Y/N doesn’t have to fit into anyone’s expectations. She’s too extraordinary for that. So let me make this clear: If anyone should be worried about ‘fitting in,’ it’s not her—it’s anyone who doesn’t see her value."

You watched, stunned, as Carlos ripped into the reporter with a ferocity that left no room for doubt. The entire paddock seemed to hold its breath, everyone frozen as they witnessed Carlos’s fierce defense of you. But he wasn’t done. Switching to rapid Spanish, he unleashed a tirade that had the reporter shrinking back in fear.

"Eres una vergüenza. No tienes ningún respeto. Claramente, tu madre no te crió bien, porque si lo hubiera hecho, sabrías cómo tratar a las personas con dignidad. Eres un pedazo de mierda por hablar así de mi novia."

("You're a disgrace. You have no respect. Clearly your mother didn't raise you right, because if she had, you'd know how to treat people with dignity. You're a piece of shit for talking about my girlfriend like that.")

You understood enough Spanish to catch the general gist of his words, but the intensity with which he delivered them left you reeling. The Carlos you knew was calm, composed, always in control. But here he was, publicly tearing apart a journalist who had dared to insult you, and doing so with a passion that made your heart race.

As Carlos’s assistant finally intervened, gently pulling him away from the confrontation, you noticed that Carlos didn’t hesitate for a second before turning and striding toward you. The fury in his eyes softened the moment they met yours, and without a word, he reached for your hand, intertwining his fingers with yours as if anchoring himself to you.

He led you away from the paddock, away from the prying eyes and whispering voices, his grip on your hand firm yet comforting. You barely registered where he was taking you, too lost in the whirlwind of emotions that had been stirred up by the encounter. It wasn’t until you found yourself in the quiet sanctuary of Carlos’s private motorhome, the door closing behind you, that reality finally caught up.

Carlos turned to you, his expression filled with concern as he cupped your face in his hands, his thumb gently brushing over your cheek. "Cariño, are you okay? I’m so sorry you had to hear that. I should have protected you better."

You blinked up at him, still trying to process everything that had just happened. "I… I didn’t know you felt that way about me."

Carlos frowned, confusion flickering across his face. "What do you mean?"

You took a deep breath, your voice trembling as you spoke. "I know we’ve been together for a year, but with you always traveling and everything, we’ve probably only seen each other for half of that time. And with everything… sometimes I wonder if you’re going to stay with me at all. I thought eventually you’d get tired of me, maybe decide you wanted to be with someone else, someone more like you. Someone who understands your world better."

Your words hung in the air, heavy and raw, the weight of your insecurities finally laid bare. You had never wanted to confront these fears, had always pushed them aside, but now, in the wake of Carlos’s fierce defense, they came spilling out uncontrollably.

Carlos’s eyes widened in shock, his hands trembling slightly as he moved them to your shoulders, grounding himself in your presence. "No, mi amor, no. I had no idea I was making you feel that way. I didn’t realize I was making you doubt how much I love you." His voice was thick with regret, his eyes searching yours as if trying to understand how he could have missed this.

Tears welled up in your eyes, and you quickly looked away, ashamed of the vulnerability you were exposing. "It’s just… I know I can be a lot sometimes. I get jealous easily, and I know that’s not fair to you. You have so many people around you, beautiful women who are more your type, who are part of your world. And I’m just… me. Sometimes it feels like I’m just a distraction for you, someone you’ll eventually outgrow."

Carlos’s heart broke at your words, the self-doubt that had been gnawing at you for months finally coming to light. He gently tilted your chin up, forcing you to meet his gaze, his expression filled with nothing but love and adoration.

"Listen to me, cariño," he began, his voice steady but laced with emotion. "You are not just ‘you.’ You are the woman I love, the woman I want to spend the rest of my life with. I don’t care where you come from, what your background is, or what anyone else thinks. You are the most important person in my life. No one else compares to you. Not models, not actresses, no one. I want you, and only you."

You stared at him, your breath hitching as you tried to comprehend the depth of his words. "But… what about all the times you were away? All the events and races where I wasn’t with you? Didn’t you ever feel like… like I was holding you back?"

Carlos shook his head, his grip on you tightening as if to physically reassure you of his feelings. "Never. Every time I’m away from you, all I think about is getting back to you. Every race, every event, I wish you were there with me. You’re not holding me back; you’re the reason I push forward. Because I want to build a future with you, a life where we’re always together. I’ve been a fool not to realize how my absence was affecting you, and for that, I’m so sorry, Y/N."

Tears finally spilled down your cheeks, but they were tears of relief, of finally hearing the words you had longed to hear for so long. "I just… I didn’t want to lose you. I was so scared that one day you’d wake up and realize I wasn’t enough."

Carlos’s eyes softened, his thumb wiping away your tears as he leaned in, pressing a tender kiss to your lips. "You are more than enough, mi amor. You are everything. And I promise you, I’m going to spend every day showing you just how much you mean to me. I’ll make more time for us, for you. This summer break, I’m going to show you how much I love you, how much I’m in love with you."

A small smile tugged at your lips as you sniffled, the tension in your chest slowly unraveling. "Even if I want to do silly things?" you asked softly, your voice trembling slightly as you tried to keep the emotions in check. You felt vulnerable, laying your insecurities bare, but there was also a strange sense of relief in finally speaking them aloud.

Carlos smiled, a genuine, heartfelt smile that made his eyes crinkle at the corners. He gently stroked your hair, his touch soothing. "Yes, cariño. Even if you want to do silly things."

You bit your lip, feeling a little more confident as you continued. "Even if I want to play video games at 2 a.m. or cook some food in the middle of the night because I woke up hungry?"

Carlos chuckled softly, his voice filled with warmth and affection. "Especially that. I’ll be right there with you, heating up the stove or grabbing the controller. Whatever makes you happy, I’m in."

You felt your heart swell with his words, but there was still a small, nagging doubt that you couldn’t quite shake. "And what if I want to go to the beach at 6:30 in the morning to watch the sunrise? Or even go during the sunset to… you know…maybe have beach sex" You trailed off, your cheeks flushing with a mix of embarrassment and excitement at the idea you were about to suggest.

Carlos’s smile grew wider, his eyes twinkling mischievously. He gently pulled you closer by the waist, his lips brushing against your ear as he whispered, "Especially for that. Beach sex sounds like the perfect way to start or end the day."

You couldn’t help but laugh, the sound light and full of relief. "So, you’re really okay with all my crazy ideas?"

Carlos pulled back slightly, his expression turning serious as he cupped your face in his hands once more. "Y/N, I love everything about you. Your quirks, your spontaneity, the way you think about the little things that make life more fun. I wouldn’t change a single thing about you. You make my life better in every way, and I want to be a part of all your crazy ideas. As long as we’re together, I’m happy."

His words wrapped around your heart, soothing every lingering fear and doubt that had been gnawing at you. The tears that had welled up earlier now flowed freely, but this time, they were tears of happiness, of gratitude, of love.

"I love you so much, Carlos," you whispered, your voice thick with emotion.

Carlos leaned in, capturing your lips in a deep, passionate kiss that spoke of all the love he had for you. His hands moved to your back, pulling you flush against him as if he couldn’t bear the thought of even an inch of space between you. You melted into his embrace, your arms wrapping around his neck as you kissed him back with equal fervor.

When you finally pulled away, both of you were breathless, your foreheads resting against each other as you shared a quiet moment of intimacy.

"I love you too, Y/N," Carlos murmured, his voice low and full of sincerity. "More than you’ll ever know."

You smiled softly, your heart feeling lighter than it had in months. "Thank you for standing up for me back there. I’ve never seen you like that before."

Carlos sighed, his expression darkening slightly as he remembered the confrontation with the reporter. "I’m sorry you had to hear that. I hate that people talk about you like that, as if you’re not the most important person in my life. I won’t let anyone disrespect you like that ever again."

You gently placed a hand on his chest, feeling the steady rhythm of his heartbeat beneath your palm. "It’s okay, Carlos. You don’t have to fight every battle for me. I’m stronger than I look."

Carlos chuckled, the sound deep and comforting. "I know you are, cariño. But I’ll still protect you whenever I can. That’s what a man does for the woman he loves."

You looked into his eyes, seeing the depth of his feelings reflected in them. This was the man you had fallen in love with, the man who would go to the ends of the earth to make you happy. And in that moment, all your fears and insecurities seemed to fade away, replaced by a profound sense of peace and contentment.

"Do you really mean it?" you asked softly, your voice barely above a whisper. "When you said I’m your future wife?"

Carlos’s expression softened, and he gently brushed a strand of hair away from your face. "Yes, mi amor. I meant every word. I see a future with you, a life where we’re together, where we build something beautiful. I want to marry you, have a family with you, grow old with you. You’re it for me, Y/N."

Your heart skipped a beat at his words, the sincerity in his voice making you believe that everything he said was true. A tear slipped down your cheek, and Carlos quickly wiped it away with his thumb, his gaze never leaving yours.

"I didn’t realize how much I needed to hear that," you admitted, your voice shaking slightly. "I’ve been so scared, Carlos. Scared that you’d wake up one day and realize I’m not enough for you."

Carlos shook his head, his eyes filled with love and determination. "No, cariño. You are more than enough. You’re everything I’ve ever wanted, and more. I’m sorry I didn’t realize sooner how my actions were making you feel. But I promise you, from now on, I’ll make sure you never have to doubt my love for you again."

You smiled through your tears, feeling a warmth spread through your chest at his words. "Thank you, Carlos. Thank you for loving me."

He leaned in, pressing a soft kiss to your forehead. "Always, mi amor. Always."

You leaned into his embrace, feeling the steady rise and fall of his chest as he held you close. The doubts that had plagued you for so long seemed to dissipate, replaced by a sense of certainty that you hadn’t felt before. Carlos loved you, truly and deeply, and for the first time, you allowed yourself to fully believe it.

After a few moments of silence, Carlos pulled back slightly, a playful glint in his eyes. "So, about that beach idea…"

You laughed, feeling a sense of lightness return to the conversation. "You really want to do that?"

Carlos grinned, his expression mischievous. "With you? Absolutely. I’m down for anything you want, cariño. Especially if it means spending more time with you."

You leaned in, pressing a soft kiss to his lips. "I love you, Carlos."

He smiled against your lips, his hands gently caressing your back. "And I love you, Y/N. More than anything in this world."

*ੈ✩‧₊˚ taglist: @ham1lton @ietss @animeandf1lover @nelly187 @heartsfromtaeyong @bloodyymaryyy @nor-4 @zacian117 @mel164 @uhhvictoria @hadidsworld @zabwlky1999 @sya-skies @lillysbigwilly @avengers-assemble123456 @santanasaintmendes @km-23mr @hookhausenschips @avada-kedavra-bitch-187 @ronpho @minekarina @aeongism @formula1-motogpfa @slagclarens @aleexvqa @f1updates4you @booksandflowrs @chaostudee @winkev1 @strawblueberrys @tellybearryyyy @magixpracticality @eoduuung @danieldaviddarren33 @flowerpetalk @goldenroutledge

[aesethewitch]

Ambient Spells

The idea of the ambient spell isn’t so uncommon. My use of the word “ambient” may throw you for a bit of a loop. An ambient spell is any spell that permeates a space in an unobtrusive way. They affect the area surrounding their vessel and require little to no maintenance or upkeep. They’re long-term workings that require varying levels of effort to put together and cast. Depending on what exactly you need, they can be as simple as setting out a bowl of salt or as complex as crafting a home decor piece from scratch.

I always recommend making ambient spells that are self-fueling. I often refer to them also as “set it and forget it” spells. They’re the crockpot of spellwork — work up front for a slow burn output.

Chances are that you’re already aware of or even know how to create ambient spells. Any spell that affects the vibe of a room, for example, would count as an ambient spell. Lighting incense specifically to invite in positive energy counts. A ward that sucks up baneful magic and transforms it into blessings also counts. The primary idea of an ambient spell is that it’s making a change to your environment in the background. It’s the cool breeze in summertime, the subtle piano at a fancy restaurant, the scent of fresh-baked cookies fading as the day goes by. Positive, but not overt.

When to Use (or Not Use) an Ambient Spell

By their nature, ambient spells are fairly general workings. They can be quite powerful, of course, just like any other spell. The thing to keep in mind is that they’re not ideal for targeted magic.

For example, I wouldn’t create an ambient spell to banish someone from my life. I might make an ambient spell to make an area unwelcoming to them, or to anyone who would do me harm. The unwelcoming vibe might discourage them from coming around, sure. But it may not work outside of the area the spell lives in; and it may not get rid of them for good.

Similarly, an ambient spell might make a good general ward for keeping out loud, unwelcome spirits, but it wouldn’t specifically cast out the one particular spirit who’s been causing problems. It might discourage their behavior, but it wouldn’t necessarily get rid of them. A concentrated, single-use banishing spell would work significantly better for that purpose. Afterwards, an ambient spell can keep the area clear of that spirit’s influence.

I also wouldn’t use an ambient spell to draw in specific success. General success or money, absolutely — whatever wants to come my way is welcome, via a basic money bowl set up next to my wallet. But if I specifically want a promotion or a particular amount of money, I’m not going to leave that to the ambient money spell. I would craft a spell specifically for what I’m looking for.

When deciding what kind of spell to cast, keep this idea in mind. An ambient spell is best for behind-the-scenes results that happen without your concentrated effort. When you want something specific, a more targeted spell will work better nine times out of ten.

Creating an Ambient Spell

It’s possible to create an ambient spell with nothing but energy work. However, I often find that these fade quickly and don’t lend themselves well to self-fueling. They tend to need more active upkeep than I prefer for a spell that’s meant to be set and let go. I recommend choosing an appropriate vessel of some kind to contain the spell to help it last longer.

How do you decide what’s an appropriate vessel, though? And how do you set one up? How do you make a spell self-fueling? Let’s start from the top and go in order.

Identify the Purpose

Decide what the spell will do. This is going to define the components and the way you’re going to cast the spell. In my experience, ambient spells work best when they’re given a single purpose. For example, I wouldn’t make a spell that’s a ward and a cleanser and a spirit welcome mat. It dilutes the purpose. Choose a single, clear motive for the spell.

Choose a Vessel

Now that you know what your spell will do, it’s time to decide what it’s going to look like. The vessel you choose should reflect the spell’s purpose in some way.

An open bowl works well for absorbing energy. Why? It’s open. The face of it is open to the room, ready to take in whatever kind of energy you assign to its contents.

A closed jar, on the other hand, would be good for repelling. It’s closed off and sealed — a one-way road going out of the jar and into the room to clear it.

A wreath hung at the door could serve a lot of purposes, depending on what it’s made with. I would use a wreath as an agent of transformation or as an energy emitter to release a certain energy into the space.

A stone makes a solid vessel for protection or grounding. I have one on my working altar to help keep me in the moment and create a good environment for working magic.

When you’re choosing your spell vessel, keep in mind how visible you want it to be. Certain vessels are going to naturally be more obvious than others. A wreath, for example, is hard to miss — but it also just looks like nice home decor. A jar full of herbs and things would be more obviously a spell, but they can be small and easily hidden.

I have both obvious and hidden ambient spells peppered around my home for varying purposes. If you’re keeping your practice a secret, you’ll likely want to keep your spells more obscure or hidden. But if you aren’t, and you can make the choice of whether you want the spell to be in plain sight or not, consider the effect you want the spell to have.

If you want the spell to absorb bad vibes, baneful magics, the evil eye, or other negativity, a hidden spell might serve you well. Hiding the vessel somewhere means that whoever’s casting against you may not expect the resistance. On the other hand, if you want a vessel that allows friendly spirits to visit you during the holidays, a beautiful centerpiece on your dining table that’s charmed with spirit-friendly magic might serve the purpose.

Choose an Energy Source

Ambient spells need to draw energy from somewhere. Think of it like a battery. The ingredients you put into the spell may provide a temporary charge, but if you want the spell to be long-term, it needs an input. How will your spell recharge itself?

If you want the spell to be shorter-term, only a few days or so, then you can skip this step. But if you want an ambient spell to last a while, like a ward or vibe-adjuster, you’ll need to think about this carefully.

Like when choosing the vessel, the energy source should match the purpose of the spell. For example, I have a simple room refresher spell set on a table that’s central to my home. The purpose of it is to take anxiety and negative thoughts to turn them into positivity. I set it up so that the act of walking past the bowl swirls the air around it, and therefore also the energy around it. That kinetic energy fuels the bowl’s magic and keeps it going. I don’t have to actively recharge the bowl or its contents, because we walk past it constantly.

Another example would be an ambient spell to help you do the dishes. (Whether that’s remembering to do them or finding the motivation for it is up to you.) The fuel for the spell could be the act of walking into or past the kitchen, running water elsewhere in the home, or even cooking or eating.

The energy source could also be something like lighting a candle next to or over the vessel on a schedule, if you prefer. This would add an upkeep step, of course, and wouldn’t be my first choice. The only ambient spell I do this with is my money bowl, and that’s because it’s tuned to be able to shift focus from day to day depending on what exactly I need (commissions versus tips versus discounts, etc.).

Setting Up an Ambient Spell

Decide where you want to place your spell’s vessel ahead of time. If you have pets or kids, make sure you put whatever it is out of their reach. If the vessel is something like an uncovered bowl, you’ll want to be sure that it isn’t going to get knocked over. Similarly, if it’s made of glass, you don’t want it to fall and shatter. If your vessel needs to be hidden somehow, determine where you’ll keep it. It would be smart to make note of where the spell is and what it looks like in your grimoire or spell notebook just so that if you forget about it, you can identify it later on down the road.

After you know where you want to put it, it’s time to choose ingredients and fill your vessel. The components you decide on should, obviously, match your goals.

Casting an ambient spell is much the same as casting a regular spell. The only thing to keep in mind is that an ambient spell has a sort of prolonged release.

Upkeep and Care of an Ambient Spell

For the most part, ambient spells should require little to no upkeep. With that said, you should still do routine check-ups on them. I include them in my regular rounds when I check on my wards and various protections, but you could do yours whenever it makes the most sense to you.

Depending on how you decided to fuel your spell, you may need to do a bit of feeding. Whether that’s lighting a new candle, refilling a cup of water, mixing around a pile of herbs, or giving the vessel a little shake, do so anytime it feels like the spell’s energy is flagging. It may take some practice in sensing energy to know exactly when a spell needs refueling. This is partly why I suggest creating a schedule to check in on the spell; ambient spells are a great type to practice sensing spell energy, since they’re typically long-lasting and may wax or wane depending on the day.

If your spell is fully self-fueling and it doesn’t seem to be working anymore (or at all, even from the start), it’s time to take it apart. Discard disposable components according to your practice’s tenets. Cleanse the rest for future use. I would suggest washing your spell vessel alongside magical cleansing.

A Ready-to-Use Example

Here’s an extremely simple example of an ambient spell I use in my home to keep the main living area light, fresh, and conducive to getting work done. Since both my partner and I work from home, it’s important that our areas have an aura of focus.

Materials:

- A small bowl, preferably green or brown - Enough salt to fill the bowl halfway - A few pinches of dried rosemary

Instructions:

1. Ensure the bowl is clean and dry. Pour salt into the bowl until it’s halfway full. 2. Sprinkle dried rosemary into the salt and stir. 3. Instruct the spell, in whatever way makes sense to you, to exude focused but calm energy into the space. 4. Place the bowl in an area that is frequently trafficked. 5. Leave the bowl in place until it no longer provides a fresh, focused energy to the space. Dispose of the contents, clean the bowl, and reset the spell.

Notes: - This spell is powered by movement specifically, because both my partner and I work from home, and we pace when we’re having a hard time focusing. The spell draws in the energy from our pacing and the frustration we’re putting out to fuel itself. It then transforms and releases the energy as calm, focus, and productivity. - I suggest a green or brown bowl because this spell is meant to work for our jobs. Green for success, brown for grounding. Personally, my bowl has both colors. - When instructing the spell, you can speak to the bowl, write a petition, do an incantation, or whatever else you like. This is the most personal part of the spell, and it’s what makes the thing Go. It’s up to you to decide how it’s going to work.

Final Thoughts

I would hesitate to call ambient spells “low energy” spellwork. While they can be low-energy-friendly in the long run, and they can be extremely simple to set up (such as the one I described above), they aren’t always. Ambient spells do require an up-front energy cost. Even so, I find them very rewarding and useful.

Folks who visit my home often comment that it’s an inviting, friendly, good-natured space where they can leave their worries and anxieties behind. That’s on purpose. I’ve got ambient spells in place that eat up anxiety and spit out positivity. I’ve got ones that repel hexes and are charged by sunlight. All of these spells are long-lasting and well worth the effort it took to create them.

I hope this little guide is useful to you! If you’ve got questions, feel free to send me an ask. I’m happy to ramble about ambient spells or other types of magic as much as you’d like.

And if you did enjoy this post, consider dropping a couple dollars in my tip jar! Supporters of all types (tips, commissions, shop purchases, and memberships) get early access to posts like this, sometimes up to two weeks early, and every bit helps me keep the lights on.

[mufos-photo-album]

Sum Mufo lore below the cut vvv

My character playlist page for Mufo is coming along, though one big roadblock is that it needs background art! I've talked before about how I wanted to draw Mufo's home base someday, and I think just drawing a small portion of it for some background art would be a nice place to start. One thing I struggle with when it comes to backgrounds though, especially character-based ones, is making them feel lived in. Backgrounds I've drawn in the past often felt too clean to me, like no one is living there! Unfortunately I don't have the time right now to slap down some sketches to flesh out Mufo's room, but I can write about it to reference later, so here we go!

Mufo lives in the Vault of Knowledge, more specifically inside what can be thought of as a "storage closet". These storage areas resemble larger areas of the Vault, but are mainly used to store menial things like cleaning supplies, spells, and personal belongings. Mufo has part of a storage closet all to herself.

Her room is basically like an indoor tent. The "walls" are actually just pieces of cloth. It's convenient since she can enter and exit her room at any location, though at this point she has dedicated "door spots" — specific spots she decides she is allowed to walk through. Anything that isn't a door spot she treats as if its a regular wall and thus not normally walk through.

In terms of solid furniture (like, heavy stuff), Mufo might not have much. At the moment I definitely imagine she has a bed and maybe one or two bookshelves. Maybe she has a chair in there, to go with the shelves? Other furniture she has is mainly pillows and blankets, strewn across the floor so that many places in her room are comfy.

Currently debating if Mufo decorates at all. Like the stuff I listed before is mainly functional in nature. Maybe younger Mufo wouldn't have cared about decorating, but present day Mufo does since she has finally seen the outside world for herself and is insanely inspired. With that in mind, I gotta think about what Mufo decorates with. I definitely think if you showed Mufo some fairy lights it'd be OVER for her.

This might be one for the decoration category, but maybe Mufo keeps souvenirs from her journeys if she can pocket them.

Her room almost definitely has some memory lanterns and books lying around. This would have been especially true when she was younger (like the drawing above!), where such things were her only form of solitary entertainment. As she got older, she became better about returning memory lanterns and books to their rightful place in the Vault (though not all the time, hehe).

At the moment I don't imagine Piripu has a home, but if he were to crash anywhere, it'd be at Mufo's place. He probably does it often. With that in mind, Mufo's belongings probably got pushed around with Piripu becoming a pseudo-resident. Fortunately, he is a boy of few belongings... For now?

[drabblesandsnippets]

Happy Birthday

Pairing: Bucky Barnes x Female reader

Summary: (1.5k) After your friends forget your birthday, a stranger interrupts your plans to celebrate by yourself.

Background: Requested by a lovely anon last night. Happy (belated) Birthday! May you find some better friends, as well as a sweet (and/or whatever you’re into 😏) Bucky!

Warnings: Disappointing birthday. Fluff. Meet cute? Very brief mention of insecurities (both). Sweet Bucky.

---------------------------

You aren’t expecting much on your birthday - a phone call, a text, maybe even a card in the mail from one of your friends - but, the day passes like any other. 

Your phone remains relatively silent, devoid of new notifications every time you give in to the urge to look, the disappointment growing each time. 

A bit of hope still remains, a part of you believing you’ll hear from at least one of them by the time evening comes, that there’ll be some sort of acknowledgement of a day that’s supposed to be celebrated.

Hours slowly tick by and still nothing. No one reaches out. Not one of your friends care enough to even remember to send a simple ‘Happy Birthday.’ And now it’s almost too late to do anything about it. 

The impulse to text them first dies before you even pick up your phone, deciding at the last minute to do something for yourself instead. As much as you’d love to have friends to wish you a happy birthday, the least you can do is celebrate on your own.

With most places already closed, given the late hour, you end up at a hole-in-the-wall diner, tucked away on a quiet street. It’s not as empty as you expect it to be, a few patrons spread out along the booths lining the wall, a couple others sitting at opposite ends of the counter, all of them absorbed by their own form of distraction - a quiet conversation, their phone, a book.

You’re barely even acknowledged as you walk in, the older man behind the counter passing you a menu on your way to your choice of the empty corner booth. Grateful that you’re not the only one eating alone at this late hour, you take your time choosing all your favorite items, determined to celebrate, even if it’s by yourself.

It’s not until you’re standing at the counter to place your order that you take more notice of the man with the leather jacket, his face buried in a book. He’s incredibly distracting, your gaze unceremoniously drifting to the stubble lining his jaw as you try to focus on getting your order right. 

You don’t know it, but he finds you equally distracting. From the moment you walked in, Bucky took notice, the familiar look of loneliness in your eyes drawing his attention. It’s far from what’s kept his interest though, the subtle air of confidence and determination surrounding you pulling his focus whenever you’re not looking.

The urge to initiate contact grows with every passing second, the itch to seek connection making him shift, his jaw twitching under your sporadic scrutiny. He’s not even sure what to say, a simple ‘hi’ feeling too inconsequential, too impersonal. 

And then you’re gone, having returned to your seat, waiting for your meal, the moment of possibilities dissipating before Bucky really had a chance to imagine what might happen. 

Back in the 40’s, he wouldn’t have thought twice about approaching you, and he certainly wouldn’t have worried about saying the right thing or being rejected. But, Bucky’s not that man anymore and all the wishing isn’t going to change that. 

So, for now, he just watches you, careful to avoid your gaze, his heart beating wildly in his throat every time a smile crosses your face, your phone providing you some sort of entertainment.

It’s the only distraction you have, your plethora of apps keeping you from staring at the man that feels like a walking piece of art. If today were any other day, it’s entirely possible you’d actually try to get his attention. You’re already dealing with enough rejection though and you’re unable to handle the possibility of any more tonight.

Once your food comes, you force yourself to savor each bite, drawing out the last little bit of your birthday before it’s officially over. The disappointment over your friends will surely linger for days to come, so you may as well try to enjoy this as much as possible, no matter how alone you feel.

You save the best for last, returning to the counter to get a to-go box for your leftovers and placing an order for a slice of cake, barely managing to add, “it’s my birthday” at the last moment. 

It leads to an awkward smile with the owner as he gives you a quick, “happy birthday” in response, your cheeks flushing as you return to your booth. You weren’t even planning to say it, no matter how much you rehearsed the words in your head before you went up there.

Once you were standing there, though, you felt like you deserved to hear ‘happy birthday’ once more before the night ends, even if it’s from a slightly forced interaction. It’s not like you ever have to come back here anyway.

It’s her birthday.

The decision is made before Bucky has a chance to talk himself out of it, slinking out of his seat after he bookmarks the page he’s read at least twenty times now. After a short conversation with the owner, who for some reason enjoys his quiet company, Bucky sneaks into the back to get to work.

He doesn’t have nearly everything he’d like, but he’s resourceful, making do with what he has access to, intent on making this a happier birthday for you. Torn between getting it right, and not wanting to keep you waiting, it only takes a few minutes before he’s walking back out, his gloved hand hidden behind his back.

You’re caught off guard when you see him approaching, his smile making your stomach flutter and your pulse race. There’s no denying that you’re his destination, his sure footsteps leading him straight to you, your lips parting prematurely, as if you’re capable of even saying anything first.

He doesn’t give you a chance, the moment he’s within reach of your table, his hidden hand returns with a flourish, producing a haphazard birthday cake. Several pieces of different types of cake sit in a oddly-shaped circle, unlit mismatched candles placed around the barely legible words ‘Happy Birthday.’

Tears prick your eyes the same time laughter bubbles out of you, this sudden display of kindness leaving you speechless, a range of emotions washing over you. 

He seems to take it in stride, his head tilting as his smile grows, telling you, “Happy Birthday.” He pulls a lighter out of his pocket, his brow raised as he holds it up to ask, “How you feel about being center of attention? Say the word and I can get this place to sing to you.”

You’re quick to shake your head as he starts to light the candles, your skin already warm from just his attention, your voice finding you long enough to tell him, “No, I don’t - that’s okay - thank you.”

“Fair enough,” he grins, finishing the last of the candles, your eyes drawn to the reflection of the flickering flames on the sleeve of his jacket. 

Your mind is racing with things to say, wanting to remind him to be careful so he doesn’t accidentally burn himself, to ask him if he works here, to figure out why he’s being so nice. No words come until he’s introducing himself to break the ice, asking for your name in return.

You almost stumble, your own name nearly forgotten as he sits across from you, his gloved hands pushing the cake a bit closer towards you.

“Well, it’s nice to officially meet you,” he says before a rueful smile graces his face. “Now, I’m gonna have to sing ‘happy birthday.’” When you open your mouth to protest, he shakes his head, telling you, “It just doesn’t seem right to have you blow out your candles without it.”

Another shake of your head to assure him, “You don’t have to do that.” 

“Oh, I definitely do,” he promises with a swift nod, his tongue peaking out to wet his lips in preparation. “It’s not really a birthday celebration without it, but I promise not to draw too much attention.”

After a quick glance around the diner, ignoring the knowing look from the owner, Bucky does as promised, keeping his voice low enough not to make any of the other customers want to join in as he sings ‘Happy Birthday’ to you.

As overwhelmed as it makes you feel, it’s hard to ignore the warmth that settles over you, each line of the song erasing some of the disappointment from the day. Hearing your name fall from his lips, even as part of the song, finally breaks your resolve, the tears that have been threatening to build starting to blur your vision.

If Bucky notices, he keeps it to himself, encouraging you to buy into the premise and close your eyes to make a wish. It’s hard not to give in, finally letting yourself live fully in the moment, to allow yourself to be celebrated with a complete stranger.

The wish you make isn’t anything new, but as you open your eyes, finding Bucky still smiling at you, ready to cut the cake and continue this celebration, you’re struck with a feeling that’s impossible to shake.

Maybe today isn’t about rejection after all, maybe you just needed to be reminded of what you deserve.

---------------------------

Happy Birthday, anon! I wasn't sure what you were looking for, but I hope you like it. Feel free to ask for a continuation 🩶

Everyone, please use the comments (or reblogs!) to wish anon a happy birthday!

Main Masterlist

[hansoeii]

Hello! Hope you're having a great day/night! I absolutely adore your art, you are one of my favourite artists. I love the way you shade and do backrounds. Also everytime I get into a new show I immediately see your art for it??

I was wondering if you had any advice on drawing more realistically (backrounds, anatomy etc) but still keeping a style?

Hey hey!

Thank you so much!

I have a pretty good understanding of facial structures, because before I got into drawing more semi-realisticly, I heavily focused on realistic portraits. Here are some example, these are from around 2019!

(yes, I was really into danmei and kpop back then, haha)

I just always loved drawing/painting faces and it was all I did. But at some point I realized that I wanted to do more than that because just portraits felt super restricting. So it took me around 2-3 years to somewhat find my style. Thought it would be fun to show a little timeline! Advice will follow afterwards :)

2020

I began working on my OCs in 2020 and since I didn't have an exact reference to work off of, I struggled a lot. My art from this year is super wonky.

2021

Still wonky, but the Lokius obsession was the jumpstart into finding my style! My work from this year is all over the place haha, I was experimenting a lot.

2022

This first ofmd piece is pretty much the first drawing where you can see where my style is gonna go, which I think is pretty cool! This is the year I made the biggest progress cos I was drawing SO much. These two pieces are only six months apart. The one on the right was the first time I gave drawing a background a proper go, too! It was a good year.

2023

And this is where I am now! I'm still constantly learning and improving, but I'd say I have a style you can recognize now!

Now here comes some actual advice, haha:

What I highly recommend you to do is to study your favorite artists as much as you can! I have like 5 A4 sketchbooks all from 2020 that I filled with sooooo many studies, where basically all I did was look at artists I like and copy how they draw stuff, to try and figure out how to stylize certain things. Some of my favorite artists are Ami Thompson, Velinxi and TB Choi. But I also liked to just scroll through pinterest and study all the art I came across that I liked! For example, if I saw a really great drawing of a pair of pants I would copy it many times in my sketchbook and try to learn how they stylized the folds. Doing this for a prolongued period of time will naturally improve your own work! It'll be difficult at first, but you gotta push through, it's gonna be worth it!

I also highly recommend studying unique faces to try and avoid the same-face syndrome. Find some cool looking people and try to draw them as simple as you can! Maybe even draw a little timeline where you first draw them as cartoon-y as you can, and keep going until you end up with a more detailed, realistic drawing. Maybe in the middle of it you find a step that feels the most fun to you, so you can try to build on that! It's a great way to figure out what kind of style might be the best for you.

Here are some cool faces I found on pinterest!

I have a pinterest board with many more!

One REALLY important part of learning how to draw all kinds of things is to understand forms and shapes and how to manipulate them. I have so many pages in my sketchbook filled with just shapes that I drew from all kinds of angles without any references.

This is a great video on it:

6 Ways to Draw Anything by Proko

Learning how to do this is so crucial! Young artists often think they first have to learn all kinds of detailed anatomy before doing anything else, but all that's gonna do is make you tired and hate drawing. Shapes are where it's at! Once you understand how shapes work and which ones to use for certain parts of bodies or objects, drawing is gonna get so much easier! Once you understand them, you can get into details such as muscles and bones!

And honestly the most important point is to just absolutely love what you're doing! I wouldn't be doing this if it wasn't for the fact that I get extreme hyperfixations on certain media that turn me into some kind of beast where I can suddenly draw 10 detailed illustrations a week, haha. Just be passionate about what you do, find something you REALLY love and go crazy!

I really hope this was somewhat helpful! My inbox is always open if there's any more questions :)

[king-wyrmwood-art]

Kitsuneisi Art Study!

This is an art study of @kitsuneisi, using mostly references from their tumblr. I wanted to do an art study and was super excited for the new DDVAU update so woo!

I've written some notes in the margins of each drawing and would love to go more in-depth about both our styles and the general process, but this post would be so incredibly long so I'll refrain for now. (I might break it up into separate parts and turn this into a master list one day).

This first three are the base of any art study: leaning the proportions and sketching style of the artist! The first image is from @xmaruu11's first Twitch stream, which I discovered a few days in my study and watched to get a sense of Kitsuneisi's sketching style.

The main difference between our styles is that Kitsuneisi's poses are more fluid and they draw the face first, whereas my poses are stiffer and I drawn the head first.

Kitsuneisi and I use different drawing programs, so I couldn't quite make a brush that matched theirs; from looking at their Valentine's comic (which I chose so that colours wouldn't distract me), I noticed the line variation lent a lot to the fluidity.

Colour theory my beloathed! While I was laying out the colours for the Scar drawing, I noticed that the blue Kitsuneisi used was very warm-toned. In almost all of the light-hearted scenes, they use warm colours or warm-tinted colours, while the more serious scenes use darker or cooler tones.

The lighter, warmer backgrounds in the office scenes/G being a simp give a more wholesome feel, while the darker backgrounds in serious moments give a more intense atmosphere.

Now, all that's great, but it's time to put it into practice!

For my sketch, I tried to use a more dynamic pose and focus on making the face a focal point.

In my lineart, I tried to vary my line thickness.

For the flat colours, I used mostly warm tones and tried to match the colours used in the comics, but my love of cool tones took over the Mother Spore wings. I think it makes a nice contrast, at least.

And the final image! (I'll be posting it separately). The background adds a better contrast and helps Grian stand out despite how dark some of the colours are. I'm honestly very proud of this piece and hope both Kitsuneisi and Maru like it too. :)

[grey-viridian]

I cannot express to you how much I love your art!!!!!! It’s got like a certain crisp-cleanness that is literally everything what I want my style to be.

Quick question; how long does it take you to make a piece of art? Do you just go for it or do you sketch it out first?

Thank you so much!!!💜💜💜 Hearing this means everything to me!

Thank you for your question! Sorry the answer wasn't so quick.

It usually takes me from a few hours to a few days, depending on the art I'm making. If it's just a detailed sketch, it normally takes an evening (I'm more productive near the end of the day). Full-colored art with background takes at least two days, but I also like to just leave the almost finished drawing be for some time so I can return and finish it later. That helps me see my mistakes that I previously missed and generally take a fresh look at it. As for the process… I always start with a sketch. I might not always have a clear idea of what I wanna do, but it's much easier for me to figure it out as I go.

Also, I was making this art specifically for this ask and intended it to be just a colored sketch, but something went wrong, oops!

So I made this:

[thatanimeramenchick]

Yandere Vox x Secretary Reader Part One

No one asked for this, but whatever. Bite me. I’ll get to the asks, I swear

3,516 words

Part Two - Part Three

–-

The last thing you wanted was to draw attention to yourself. In a place like hell, where the worst of society sunk together and only somehow seemed to get worse, it was a good idea to not catch other people’s eyes. If their eyes were on you, it was almost never for a good reason.

So when you decided to start working, it made sense you would do something quiet and in the background like data filing for a large media company. While there were many more unsavory jobs that paid more, you wanted to avoid the obvious and dangerous crime life of hell as much as possible in your daily life. You had had enough of being unwillingly tied up in that kind of stuff when you were alive. You might as well spend your eternity in some type of peace, or at least as much as someone in hell can get.

So, you made sure you were presentable as you walked into Voxtekk on your first day to work, dressed simple business attire and keeping a quiet demeanor.

“There you are!” said who you presumed was your new boss, a short man with glasses and a blue hair dye, “Was wondering if you were going to show up!”

“Sorry,” you said, “The traffic was bad.”

“Well, you better get used to leaving early,” he said, “Traffic is always a bitch in this part of Pentagram City.”

He continued to speak as he led you to the elevator.

“So, I’ve been told you have a lot of experience with this sort of thing on earth,” he said.

“Yes, I did library work while I was alive,” you said.

And some smuggling. Especially with weapons.

You didn’t think it would be necessary to tell him that though. The job had come in handy though by giving you a knack for remembering where things were.

“Good, good,” he said, “I expect you’ll be able to figure out how to do this on your own then.”

He led you to a room that was filled with file drawers as well as a large computer off to the side.

“There’s thousands, if not millions, of files in here, both physically and digitally. It’ll be your responsibility to make sure that everything new brought in gets put in its proper place, as well as that anything that is requested can be easily found,” he said, “As the biggest media company in hell, it’s important that we know at all times where every piece of information or media can be located.”

It was overwhelming, like the world’s largest and most complicated library. It made your head spin a little looking at it all, but you always liked a challenge.

“You think you can handle it?” he asked.

You nod with some confidence, though you don’t quite feel it. This was going to take some getting used to.

“I hope for both our sakes you’re right,” he said, “Last filer I hired couldn’t tell left from right and Vox fried me to a crisp. Took me a good week before I was able to regenerate properly.”

Crap, that sounded bad. Note to self, don’t let that happen to you.

“I think I’ll be all right,” you said.

---

It was a bit overwhelming the first few weeks. You were competent enough to keep things in order though. Your experience was paying off, and you weren’t hearing any complaints or news about any assistants getting fried, so you supposed you were doing your job well enough.

Within two months of starting your job, you finally met the rumored big man himself. He had come in one day, visibly in a bad mood as he walked over to your desk, a man trailing behind him.

“I don’t know why I even pay you morons,” he said, “I have to hear important information secondhand from fucking Valentino because you can’t be bothered to keep up with what’s happening in hell.”

“Look, sir, I’m sorry, I didn’t mean to not tell you,” he said, “I just didn’t think you’d care.”

Vox had stormed over to your desk.

“So you KNEW and thought it would be a good idea to just not tell me at all?” he said.

“T-that’s not it! I just-”

Vox held up a hand to interrupt him before turning to you.

“I want the file we have in here on Alastor,” he said, a static buzz of irritation on the last word, “Now.”

“Of course, sir,” you said.

You hurried over to the file cabinet and quickly located it.

“See, not everyone around here is as useless as you are,” Vox said to his other employee.

You saw the hapless employee mutter something under his breath out of the corner of your eye, and before you knew it a chain had appeared and Vox yanked him closer.

“What was that?” he said

“N-nothing, sir!” said the now visibly sweating employee.

A shock went through the poor guy before Vox released him.

“Useless,” he said, “You know what? I think you need some time learning exactly who is in charge around here.”

Vox pointed a clawed finger at you.

“You,” he said, “It’s your lucky day, kid. You wanna promotion?”

“Um… yes?” you said.

“Great. Samuel, have fun in janitorial work for the next decade,” he said, “You’re being replaced. What’s your name?”

“F/N,” you said.

“Hope you have customer service experience as well as filing,” he said, “You’re moving up to my office. Need someone with a functioning brain to run the front desk. Pack up!”

You hesitated for a minute before grabbing the stuff under your desk. You figured the last thing you wanted to do was piss this guy off more than he already looked.

---

Despite him being in such a bad mood that first day, you soon found that most of the time Vox was relatively calm, at least compared to what you heard about the other employers in this building. While he at times could get pretty irritated with things, especially if a certain never-to-be-named demon was brought up by an idiot intern, he rarely took it out on you. He usually took the daily bothers of running the company in stride.

Besides that, running a front desk of an office wasn’t too different than running the front desk at the library. You didn’t have to do near as much organizing in terms of files, but you still did spend a lot of time making sure that everything in Vox’s life was organized from his meetings to when he had lunch.

He didn’t talk much with you outside of work related stuff, which is why you were so surprised when you found out what he was doing one day.

It was a nice enough morning, at least as much as a nice morning can be in hell. You took a sip of your coffee briefly as you stretched and looked out your office window. While you missed the blue sky of earth, the red sky of hell had its own sort of charm you supposed. You glanced down, looking at the people walking back and forth, small as ants. Running around willy nilly. Someone was moving into the building that afternoon, a common occurrence here, as you had heard talk that Valentino liked to keep his employees in close quarters. Seems like they had a similar taste in furniture to your own. Almost frighteningly so.

Except… wait. Was that your sofa? And your dresser? Your bookshelves? You lowered your coffee to the windowsill as you squinted down at your entire catalog of furniture being moved into the building. Something wasn’t right.

You knocked on your boss’s door and entered in a bit of a rush as you heard him say to come in.

“Vox, what on earth is going on?” you asked, trying not to sound panicked.

“F/N, that could be ten different things. I need you to be more specific,” he asked, his tone nonchalant as he didn’t even look up from his phone.

“I just saw what I’m pretty sure was all my belongings being moved into the building,” you said.

“Oh yes, that. Well, I had wanted to surprise you, but I guess it’s too late for that,” he said, somewhat absently, “I hate that you have to take such a long commute to the other side of town. And I know all the apartments there are so run down, I figured I’d just move you into the studio like a lot of our other valued staff.”

What? While it was true your apartment was kind of rinky dinky, it was yours. And you liked the privacy and soft solitude it offered after work. Besides, you didn’t like the idea of your boss just moving you willy nilly without your permission. Still, you didn’t want to show him you were upset.

“Vox, you don’t have to do this,” you said, “I’m ok with where I’m at. I don’t want to trouble you.”

“It’s no trouble at all. Think of it as a courtesy as my secretary,” he said.

You could feel your entire face tighten as you got more frustrated. Some of it was probably starting to show, despite your best efforts.

“I never asked for this though,” you said, trying to tread carefully, “and I like my old apartment. I… I don’t really want this...”

“But you do want this,” he said, finally looking up at you, “You want to be in a nicer apartment, closer to work, safer, don’t you? You always want to be here.”

That… You supposed that was true. Something about his tone soothed you, sent a pleasant lull through your skull and made your body relax as he looked in your eyes. Your protests now seemed a bit foolish and childish. In all honesty, you supposed it just made sense that you move in to the studio. Everything you needed was here, truly, why would you want to live away from here? You did want a nicer apartment without the stressful commute.

“O-ok,” you said, a small uncomfortable feeling of doubt still in your stomach, “Yeah. That’s true. I do want to be here more… closer to the office...”

He smiled at that and walked over to you. He placed an arm around you, guiding you back to your own office.

“Of course you do! And besides I already had them move everything here, so why don’t you just go back to work, and they’ll have finished moving everything in by the time your shift is done,” Vox said, “I guarantee once you’ve had time to think it through you’ll be glad we did it.”

“If you say so,” you said.

As he walked you back to your desk, he continued his calming chatter.

“That’s a good girl. You and I both have a lot of work today, anyway, so I think we can agree that you should just focus on that for now,” he said as he nudged over to your desk.

You sat down and turned to the planner on your desk as you heard your boss walk into his personal office and closed the door. You just stare blankly for a good minute, feeling a little light, like you were on Zoloft before shaking your head back and forth. Might as well just go back to work. You could think more about this later.

---

It had been happening so slowly. One day, week, month at a time, Vox was implementing himself into your life inch by inch, despite the fact that the two of you weren’t bound on paper. He had moved you into the building, where you knew that you were almost constantly on camera. He kept you so loaded down with work you barely had a social life anymore, with no time to hang out with friends or date. The pay was ok, you supposed, but it felt minuscule compared to the amount of work he was expecting you to do on a daily basis.

And then there was the… weirder things that had been happening. Whenever you tried to talk to him, he had a way of getting you to forget about whatever it was you were upset about, at least for a little while. But it would always come back eventually, and as you thought about it more, it irritating you that he was dismissing your concerns.

You hadn’t really noticed it until he had gone on vacation for a week with the other Vees. You had been quite busy with work, but without him there to calm you down whenever your “concerns” came up, you realized that maybe you had let your priorities get a little askew. You needed a career change.

So, perhaps against your better judgment, a few days after he had returned, you had left a two weeks notice on his desk before he came in. It only took about fifteen minutes after he came in for him to summon you to his office.

“F/N? What is this?” he asked, holding out the letter.

“It’s my resignation,” you said, trying to sound steady and confident.

“I’m sorry… your what?” he said

“I-I regret to inform you that I will be moving out and relocating to the Doomsday Sector in two weeks,” you said, “I appreciate all that you’ve done here for me as I worked here, but I am making a career change.”

He looked baffled for a second, like he couldn’t believe what you were saying before chuckling a little.

“No, you’re not,” he said, “You don’t want to leave he-”

“Stop!” you yelled out with more force than you intended.

As soon as he had started speaking that familiar fuzzy feeling had entered your mind, and you had closed your eyes, shaking your head. You didn’t want him talking you out of this.

“I-I’m sorry,” you said, as you reopened your eyes, but didn’t really look at him, “But I don’t want to talk about this.”

It was awkwardly silent for a minute.

“Is it a pay thing?” he finally asked, “Because that can be adjusted. You do good work. I certainly wouldn’t mind paying you more.”

“It’s not a pay thing,” you said, “It’s not anything. I-I don’t want to talk about this, so I’m going to go-”

“You’re not leaving!” he said, slamming his fist on his desk.

You jumped, a little surprised at his reaction. While you knew he wouldn’t be thrilled, you hadn’t expected him to be so volatile. He was always so calm and collected that this kind of reaction to something so minuscule confused you.

“Vox, I know you like my work, but I think you’re overreacting a little bit,” you said.

“Overreacting?” he said, looking pissed, “Overreacting?!”

He grasped at the air, a look of surprise entering his face when no chain appeared. You look at him bewildered. Had he really just tried to…?

“Vox, we don’t have a contract?” you said, “Did you forget that?”

Had he really gotten so comfy with you that he thought that you were another one of his little pets? To hell with the two week notice, you were going today.

“I think I should go back to work,” you said.

He didn’t say anything as you went back to your desk. You finished filing information extra fast that day, doing a bit of a sloppy job. As soon as it was noon, you left for what appeared to be a lunch break, but you had decided was actually going to be your escape.

This situation was getting uncomfortable. You hurried to your room and haphazardly threw clothes and necessities into your suitcase. Anything you left behind on accident you would just have to replace. On a final note, you shoved your wallet into your back pocket and walked over to the door.

Except it didn’t open. The nob didn’t even turn when you yanked on it. You tried it a few times, to no avail.

“Dammit,” you murmured under your breath, and you pounded your fist on the door.

You were about ready to start kicking it when you heard a burst of static behind you. You turned to see your boss coming in through the camera system. While it had always been an eerie feature to your arrangements, it was a million more times so to see Vox using it to his full advantage.

“What the hell is going on?” you asked.

“I should be the one asking that,” he said, “Just where do you think you’re going?”

“None of your damn business!” you said, “I don’t know what security you have on this door, but you better take it off now or-”

“Or?” he asked.

Now it was your turn to look tense as he gave you a self-satisfied smirk. You could feel your face flushing in a quiet rage as he spoke. Though you were hiding them behind your back, you could feel your fists clenching, as well as the shape of you mouth hardening.

“Vox, you are being ridiculous! We don’t even have a contract! I’m not bound to you, so you can’t keep me here,” you said.

He cocked his head at you, raising an eyebrow, “Oh really now?”

Something about the nonchalance in his tone only pissed you off more.

“Yes, really!” you yelled, “I’m not staying here. I’m leaving whether you want me to or not.”

“And just how do you expect to do that?” asked Vox, “Jump out the window? I mean you could splatter yourself on the ground, but it’d be a bit rude considering I’ll have to send some unlucky interns to scrape you off the pavement and put you back in your room until you regenerate.”

You closed your eyes, taking a deep breath in and clenching and unclenching your hands with an unnecessary amount of force. You tried to calm your voice down.

“Vox, I understand that you like the work I do for you, but you’re being ridiculous,” you said.

“You think this about work?” he said, “F/N, don’t act stupid. I can get a new secretary anytime I want, ten secretaries. You and I both know that’s not what this is about.”

You looked at him confused. It wasn’t?

“For someone who is so smart with data, you are being so unbelievably slow right now.”

He advanced on you, causing you to shrink against the frame of the door as he leaned over you. He pushed you against the wall and gripped your chin in his hand, forcing you to look him in the eye. It all happened in a flash, too fast to register, and before you could realize it, he was pulling you into a rough kiss.

It wasn’t what you had expected, though it wasn’t as if you had thought a lot about what kissing your boss would feel like. On the rare occasions when you had wondered about it, you had assumed kissing Vox would be like kissing the screen of a laptop. Apparently though, he had a literal working mouth as you could clearly tell from the sensation of his tongue and even teeth connecting with your own. Your chin ached in his firm grip, which could have been more tender if it didn’t feel like he was keeping you from turning your face away. You tried to do so, but he didn’t even seem to notice it, he was so preoccupied.

He held you like this for a good two or three minutes, his saliva coating your mouth. Though it was barely there, you could feel a slight buzz to it, as if some of his electricity was in his fluids. He finally released you though, some of his spit getting on your lips as he removed himself. A sigh filled the air as your lips parted.

“Even better than I thought it would be,” he murmured

He shifted a bit and was leaning in for another kiss when you kicked him in the shins.

“Ow!” he said, releasing you and giving you time to dart away.

You had moved in a burst to the other side of the room, glaring at him with what you hoped was resentment. There was also something else though. A feeling of deep rooted anxiety and fear was stirring in full force, despite the fact that over the past few months you had been pushing it down as much as possible. You hoped he couldn’t see the weakness in you.

Whether he did or not though, you could tell he was visibly pissed for a minute. He finally got his features under control, but as he spoke his tone held all of the avarice that had left his face.

“Whatever,” he said, “Contract or not, you’re still mine, and you’re not going anywhere until you accept that. Throw a tantrum if you want to, but you’re stuck here.”

You watched as he went back into the camera system as easily as he had come. You curled up on the floor, burying your face in your arms.

[hexfloog]

i am sooo thematically consistent actually lmfao

My final contribution to Repostober 2024 :) Loose "redraw" of this sketch that I posted last year. Scan and words below the break.

I know the phrase "rewired my brain" gets thrown around a lot in fandom but I honest-to-God think Ghost Channel really did it. If it's not THE formative thing in my taste for horror, it imprinted pretty damn hard on my little babby brain. To this day, the memory of watching it for the first time stands out as my earliest experience where I've needed to pick my jaw off the floor and then marinate for a bit.

For those not in the know, Ghost Channel is an episode late into season one of Code: Lyoko. It is freely available to watch online, but if you're even a little interested in watching it, I highly recommend watching it in sequence, despite the episodic nature of S1.

Original scan, from 2009ish:

I'm sure I've mentioned it, but before I realized the importance of archiving my art I threw away virtually everything I had relating to CL >___< Later, I thought it might be fun to redraw some pillars from my childhood fandoms and this sketch happened. I've posted a few things for Repostober so far that were products of this same effort.

Reinterpreting this in 2024 was a challenge. My taste in horror hasn't changed much over the years, but the way I enjoy it definitely has. The 2009 scan reads as an in-your-face tribute to the episode (to me, at least), but these days I'm a much, MUCH bigger fan of subtlety and the power of implication. Redrawing it 1:1 bugged me a little since I didn't feel it'd meet my current standards or do the episode justice. I'm a firm believer in "less is more" so I spent a loootttt of time grappling with a good 'redraw' that 2024 me would accept while still passing as... well... a redraw xD I suppose it is still conceptually the same.

Jeremie is easily my favorite in the CL gang which definitely has nothing to do with the fact that I seem to have a proven history of latching onto the prodigal child with glasses and I've always found it crazy poetic that one of the only (or maybe the only?) big bad's true manifestations in the show is in his image. Something something thematic parallels, you love to see it >:) CL already has this habit of depicting shit that I would normally attribute to the modus operandi of a supernatural, demonic force so of COURSE I was gonna get in on this LMAO

Unfortunately, unless I find a hidden stash of old CL fanart somewhere... or enough time passes for me to draw this again... this is probably my last CL art for a while </3

On a more technical note for as much time as I gave myself for this I really popped off, especially on the background o___o Code Lyoko BG art goes super hard in general though, I don't think I would have settled for anything less. Had tons of fun with the VHS effects, learned lots of new little tricks to distort images for future projects.

Also this piece is called "ENDKAMPF" in my files lol

[fallen-jpg]

god ur backgrounds are so gorgeous they're singlehandedly making me want to practice drawing some too just so I can get as good as u one day!! just ur lighting and colors are jusr *chefs kiss* 🤌🤌

(any tips and advice would be awesome but no pressure!! I just wanted to gush about ur bgs a bit<33)

tysm!!! would love to see more bgs so i hope i come across your work if you do practice bgs!!

i answered an ask here about perspective that might help but as for more tips maybe i have two

im a strong believer that you can use any colors you want as long as your values work. value goes together with lighting. you can check your values if you grayscale your work

i find that it's best if important things still read clearly in b&w. if things are getting lost, try brightening or darkening them or the bg. when i'm stuck on a piece, checking values usually instantly un-stucks me.

the 2nd is to deeply consider reflective light/color. reflective light helps blend everything together and makes colors interesting

i usually figure out the dominant colors of my bgs first before going into characters and props - because the bg will tint everything, if that makes sense? example, green and brown for this drawing:

actually whenever anything is put together, they will affect each others color. like damian's shirt above, a white shirt that is affected by damian's skin. and also -

green of gotham on jason's jacket and helmet

red of the sofa on the curtains and tim's clothing

pink of bludhaven on dick's suit

...tbh i should think about reflective light more. i just went back to past pieces and was like ig i did do that. ty past-me for thinking about it

hoping some of this helps!!

[zexapher]

Vacuan Nights, Like Vacuan Days

They’re just so great together! I’d love for Jaune and Weiss to get a little downtime in Vacuo to live out a moment like this. They really deserve it, and I’d love to see Jaune’s guitar make a reappearance.

The comic here was inspired by u/Silverstar1243’s excellent piece of art, A Serenade Under the Moonlight. Send some love to them on their twitter, commission some art if you’re willing and able, they’ve made some great stuff.

You folks may have noticed I threw in a couple of references for those in the know; the Golden Oreos behind Yang (double stuffed, I might add) for the trio’s ship, Weiss liking it rough for Mallobaude’s great fic, and of course I made a whole theme around the Arabian Nights Disney song. A song, along with its Aladdin compatriots, which I spent the better part of a day finding covers for just to listen to on repeat while I worked.

This one’s now officially my longest comic project, with 14 panels, two over the past record since I added the White Knight kiss at the end. I’m pretty happy with how it turned out. Not sure I’d say it was more difficult than my Vanity of Vanities post, but for this one I actually knew how to use my editing software going into it (at least somewhat).

Put a lot of work into this one, been working on it on and off since February. Took a few breaks for vacation, to make my memorial post for Rooster Teeth, and another five meme edits or so, but I came back around to it. First half was pretty easy, relatively minor edits inserting characters into scenes and so on. The second half with Jaune and Weiss was tougher though, with color correcting, merging poses, redrawing features, drawing Jaune’s entire head to fix some lighting issues, etc. Really like how the edit to make Jaune strum his guitar turned out.

The time it took to make the whole comic got me down a little, until I did a bit of math. Including my side projects since starting this, all the scripting and editing and all, I’ve been pumping out a panel every two days. That seems pretty good to me, that kind of accomplishment makes me a little proud of myself.

Really need to get around to watching the second part of the Justice League Crossover movies. It’s got a few Vacuo scenes that might make things a little more authentic instead of me just using Saphron’s house and pretending it’s a suite in Vacuo. I do love taking yet more character stills from Jaune and friends experiencing deep trauma and turning it into something positive, been making that a bit of a personal habit. And I’ve got to say, the background for Jaune and Weiss’ scene is really beautiful, pulled it from when Sun and Neptune hear Ruby’s message about Salem. That’s just a really good shot all on its own, I even saved a copy for my computer’s wallpaper after editing out the two.

Posting a big RWBY White Knight edit, watching not one but two RWBY Beyond episodes, and all on the trail of the news that RWBY’s found partners that they’re negotiating with and that the creative team is expected to stay on. And I'm sipping bubble tea. Life is good.

Anyway, pardon the long write up. I’m invested in this one, and am quite pleased with how the comic turned out. I hope you all get a kick out of it as well!